Living and working between Paris and Clermont-Ferrand, self-taught artist Kurar joined the circle of Street Artists in the 90s. At first, Kurar manipulated paint bombs and worked volume and color on 3D. His journeys and experiences has made his work and techniques evolve. Thus, the artist used the techniques of graffiti and collage before focusing exclusively on stencil.

Living and working between Paris and Clermont-Ferrand, self-taught artist Kurar joined the circle of Street Artists in the 90s. At first, Kurar manipulated paint bombs and worked volume and color on 3D. His journeys and experiences has made his work and techniques evolve. Thus, the artist used the techniques of graffiti and collage before focusing exclusively on stencil.

Living and working between Paris and Clermont-Ferrand, self-taught artist Kurar joined the circle of Street Artists in the 90s. At first, Kurar manipulated paint bombs and worked volume and color on 3D. His journeys and experiences has made his work and techniques evolve. Thus, the artist used the techniques of graffiti and collage before focusing exclusively on stencil.

Seaty is an artist born in 1983 in the South of France. He was part of the graffiti scene in Toulouse in the early 2000s, where he started writing tags on walls when he was a child. From 2008 he decided to give his graffiti works a new direction and started painting on canvas, developing his technique, without ever taking drawing or painting lessons. His work has evolved, but the urban culture is still in it. Seaty wants to share his vision on urban art, his emotions and experiences with the viewers. 

Thierry Guetta (1966), also called Mr. Brainwash is known as one of the most talked-about street artists of the 21st century. Born and raised in Paris, but moved to Los Angeles in the 1980s to boost his career. It was his cousin and artist Space Invader who introduced him to the world of street art. From 2000 he was involved in filming street artists like Shepard Fairey, until he grew into an artist himself in the ten years that followed. What started with graffiti art on the street grew into sought-after works at leading trade fairs.

Hebru Brantley’s comic book–style mixed-media paintings center on two young protagonists: curious, empowered kids called FlyBoy and Lil Mama. Defining himself as an Afrofuturist, Brantley draws from a range of influences including Jean-Michel Basquiat, Keith Haring, Chicago’s AfriCOBRA collective, African American history, hip-hop, anime, manga, and his own experiences of African American and urban life in the United States. He participated in the 1990s graffiti scene, tagging trains, walls, and other city surfaces. 

Hebru Brantley’s comic book–style mixed-media paintings center on two young protagonists: curious, empowered kids called FlyBoy and Lil Mama. Defining himself as an Afrofuturist, Brantley draws from a range of influences including Jean-Michel Basquiat, Keith Haring, Chicago’s AfriCOBRA collective, African American history, hip-hop, anime, manga, and his own experiences of African American and urban life in the United States. He participated in the 1990s graffiti scene, tagging trains, walls, and other city surfaces. 

Hebru Brantley’s comic book–style mixed-media paintings center on two young protagonists: curious, empowered kids called FlyBoy and Lil Mama. Defining himself as an Afrofuturist, Brantley draws from a range of influences including Jean-Michel Basquiat, Keith Haring, Chicago’s AfriCOBRA collective, African American history, hip-hop, anime, manga, and his own experiences of African American and urban life in the United States. He participated in the 1990s graffiti scene, tagging trains, walls, and other city surfaces.